Saturday 3 November 2012

'FASHION IS A PILE OF SHIT'

Pam Hogg talks to Gregor Muir at ICA, London

Fashion is a pile of shit

In an industry dominated by trend, it’s bracing to see a designer rebel against the hackneyed desire to imitate a culture consumed by fashion-conscious slaves to style. Pam Hogg made her debut into the fashion world in the early eighties, taking London to the blitz. She left the industry as quietly as she came, but now the yellow-haired visionary is back, auditing her A/W 2012 collection.  

‘Everything I do is impulse, nothing is planned’, says Scottish born Hogg. ‘I used to go into the city of Glasgow regularly during the early days of my youth, it was dangerous and exciting’. The designer reveals during this period she wasn’t interested in fashion. However, heavily influenced by the rock ‘n’ roll scene; enthralled by boys and bands, she sought to create her own identity, ‘I wasn’t told to, I just wanted to’.  Art came easy to Hogg, she outrivaled at the subject throughout school, never thinking anything of it - ‘succeeding in that industry was always for other people. I was pretty useless at anything else, I assumed I was probably going to be here until the day I died […Glasgow]’.

After attending Glasgow School Of Art, Hogg followed her creative flair, moving to London to consort to the Royal College Of Art. ‘Nothing was ever planned’, says Hogg, a mind-set she still bides by today. Shy at the time, Hogg shares her disappointment in respect to her studies- The Royal College Of Art. It was the London club scene that embodied the next platform in Pam Hogg’s life. It was this crack in the rock ‘n’ roll designers life where she discovered fashion, dyed her hair, and never looked back. 

In a culture that fetishes celebrities and up-to-the-minute trends, Hogg revolutionises the human desire to go against the grain in regards to commercial fashion. ‘I’m more interested in letting my ideas become something, rather than doing a sellable collection – I can do that standing on my head. Instead, I give them a part of me’, says Hogg, who sincerely is her own product.

Initially making clothes to get into clubs, the subversive pre-Madonna caused hype amongst club-goers wanting to know where she got her clothes. Inspired by the Blitz scene and all the ‘amazing people out doing each other’, Hogg made her mark in the industry, and orders were in demand by Harrods and Bloomingdales as well as dressing icons of the era such as Debbie Harry. ‘Everything that excited me was bands, and powerful women [Siouxsie Sioux], I was on a journey and I didn’t know where it was taking me’, says Hogg.

Music still being her first love, the designer didn’t want to live to regret, and left the industry as quiet as she came at the peak of her career in 1992. ‘Music is my passion, but not necessarily what I’m best at...’ says Hogg, ‘…fashion is what I’m best at creatively’. 

For A/W12, Pam Hogg’s iconic geometric shapes are at the foundation of the line. With inspirations drawn from bondage and the power of the female, with infusions delved from her time in the club scene, Hogg’s collection is far from demure. Her label takes a brave, stated approach to its shapes and colours, complemented by elusive incorporations of lace and leather. Hogg has strived to put the unorthodox back on the runway and back into fashion.

If personified, Pam Hogg’s collection would be a naïve, reckless, yet arrogant embodiment, sabotaged by the spirit of youth culture and music.  Interweaving sexual fetish and pop culture with the sensibilities of female empowerment creating a look that fluctuates radically from what might be considered trendy.

Her aim isn’t to produce versatile, trendy clothes to contend with the leading high-end designers, but to push boundaries in terms of fashion culture and create something not because she had to but because she wanted to. ‘I’m freer because I’m only thinking about what I want to create’, says Hogg.

After 15 years of club culture, Pam Hogg decided the ecstasy she gets from her creative zone is the best drug she knows, and therefore entered back into the fashion world with new eyes, still making it up as she goes along.

’15 years off will turn to 15 years on’ –Pam Hogg.

 

Image created by myself - Pam Hogg collage

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